The other reason creators often refuse to answer questions about character identity is of course, politics. Western fans can find this very strange and frustrating. Japanese creators, for example, will often decide what a character's blood type is: but may not pay any mind to their sexuality. Culture can play a role here as well, since what might be considered an essential fact about a person in one culture could be viewed as extraneous in another. The fandom might consider those details important because the work happens to speak to people who have a particular identity: but that doesn't mean the author considered that fact important enough to spend time thinking about. Not all writers make highly detailed character charts, or decide on details of a character's identity that aren't directly plot-relevant. Everyone's creative process is different. In particular, questions about a character's sexuality, gender identity or race often fall into this category. It is not at all uncommon for fans to ask questions which they believe to be obvious, but which the creator has never considered. It's important to keep in mind that just because someone wrote a character or setting, doesn't mean they decided on a correct answer to every question that could possibly be asked about that character or setting. Alternatively, the author might view both readings of the story as equally acceptible, and thus not want to comment. Especially in an ongoing series where the creator knows facts the fans don't, they might very well know for a fact that both fan theories have truth in them and thus not wish to take sides. In point of fact, there are good reasons many creators don't respond to requests for this: they want the fans to make their own interpretations. In many cases the authority does not feel the need to respond further pressure simply leads to suggestions that the fandom is misaimed. Such edicts can even go against events as were broadcast, due to someone making a mistake.įans may look for the Word of God to settle Fanon disputes, but the Authority may have moved on and doesn't care to respond. This is another reference to the Titanic film.A statement regarding some ambiguous or undefined aspect of a work, the Word of God comes from someone considered to be the ultimate authority, such as the creator, director or producer. During that portion of the song, the donkeys in the background are playing instruments.The fact that the ship hit an iceberg and sank is still the same as the film and the real event, the only difference is that the ship itself is named Madrigal, as seen on the starboard. The ship during the part "The ship doesn't swerve, has it heard how big the iceberg is?" is a reference to the Titanic.The song is inspired by Latino reggaeton music.If the same pressure would've pulled you under Pressure like a tick, tick, tick 'til it's ready to blow, whoa Watch as she buckles and bends but never breaks Give it to your sister, it doesn't hurt herĪnd see if she can handle every family burden Pressure that'll tip, tip, tip 'til you just go pop, whoa-oh-oh If I could shake the crushing weight of expectations I think about my purpose, can I somehow preserve this? I hide my nerves, and it worsens, I worry something is gonna hurt us Give it to your sister, your sister's stronger Pressure like a tick, tick, tick 'til it's ready to blow, whoa-oh-oh Pressure like a grip, grip, grip and it won't let go, whoa Give her all the heavy things we can't shoulder Give it to your sister, your sister's older Pressure that'll tip, tip, tip 'till you just go pop, whoa-oh-oh Pressure like a drip, drip, drip that'll never stop, whoa I'm pretty sure I'm worthless if I can't be of service Was Hercules ever like "Yo, I don't wanna fight Cerberus"? I feel berserk as a tightrope walker in a three-ring circus I take what I'm handed, I break what's demanded, I'm as tough as the crust of the earth isĪnd I glow 'cause I know what my worth isĭiamonds and platinum, I find 'em, I flatten 'em
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